|
| Photos
from the exhibition "OLLE BAERTLING - A MODERN CLASSIC" Cinati Foundation, Marfa, Texas 11th of October 2008 to May 2009 |
||
 |
||
 |
||
Contemporary art museum Marfa, Texas Based upon the ideas of its founder, Donald Judd |
||
| The
Art Museum of the Chinati, Marfa, Texas, showed a special exhibition of
Olle Baertling from October 2008 to May 2009. Bærtling art is well
known in Europe, but in the U.S., he is largely unknown, although Baertling
had a series of exhibitions there in 1960 - and 1970s. Donald Judd reviewed
Bærtling exhibition at Columbia University in 1964, and later collected
his prints.) at Chinati exhibition included 30 paintings and one sculpture,
spanning Bærtling's artistic career, from early 1950s to 1980. This
was Baertling's first solo exhibition in the United States in more than
40 years.
|
|
Konstmuseet
Chinati i Marfa, Texas, visade en specialutställning av Olle Baertling
från oktober 2008 till maj 2009. Baertlings konst är välkänd
i Europa, men i USA är han nästa okänd, trots att Baertling
hade en rad utställningar där under 1960- och 1970-talen. (Donald
Judd recenserade Baertlings utställning i Columbia universitetet
1964 och samlade senare på hans serigrafier.) Utställningen
i Chinati, som innehöll 30 målningar och en skulptur, omfattade
Baertlings konstnärliga karriär, från början av 1950-talet
till 1980. Det var hans första soloutställning i USA på
mer än 40 år. |
 |
 The road to Marfa from El Paso |
|
| USA, Marfa | ||
 |
 |
|
| Marfa Center | ||
 |
 Chinati buildings |
|
| Chinati Foundation Aerial view of buildings | ||
 |
||
| Chinati buildings | ||
 |
 |
|
| Exhibition Building from the front | Exhibition Building from within the courtyard | |
 |
 |
|
| Chinati Foundation entrance hall | Guided tours of the area. In the background one of the buildings containing Donald Judds artwork | |
From
the opening of the exhibition |
||
 |
 From the opening Refreshments served, outside Exhibition Building |
|
Marianne
Stockenbrand Director of Chinati Foundation and Åke Skeppner who generously supported the exhibition economically |
||
 |
 |
|
| From opening day dinner | From opening day dinner | |
 |
 Exhibition space from the opening |
|
| Two musicians from the United States plays Swedish folk music before dinner | ||
 |
 |
|
| To the right; Ogria,1960 | To the left; Aigion,1955 | |
 |
 |
|
| To the left;Tot,1953. In front;Sergai,1962. To the right;Aiyam,1955. | Sergoamaraki,1962 - Yuak,1969 - Yoyara,1970 | |
 |
 |
|
| Lio,1957 - Imuo,1958 - Rabilobskir,1956 | Iru,1958 - Irge,1958 - Irgur,1958 | |
 Ogria,1960 - Sergai,1962 |
 |
|
| Sergai,1962 | ||
 |
 |
|
| Aiglon,1955 - Orak,1955 | Danse Lyonnaise,1951 - Tot,1953 | |
 |
 |
|
| To the left Force diagonal noir blanc rouge bleu,1953 | Tot,1953 - Noir Blanc Vert,1952 - Dynamique Noir,1953 | |
 |
 |
|
| Arekyram,1964 | Hatamaki,1962 - Ardo,1963 | |
 |
 |
|
| Yuak,1969 - Yoyan,1970 - Ksiru,1976 | Ksird,1978 - Ksirb,1977 - ksard,1980 | |
 see above |
 |
|
| Ogria,1960 | ||
| Photos
Stellan Ellboj |
||